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![]() ![]() ![]() The film references the physiological phenomenon “persistence of vision,” the tendency of the human eye to retain an image. It is the foundation of motion picture photography. The filmmaker extends this visual effect by the means of imprinting on the mind. As he holds his infant son, he reflects on the events of the 1960s and 70s in America, particularly on the diseased mind of the murderer Charles Manson, who once was an innocent child. The film pioneers an intermittent frame technique, in which different frame sequences alternate with one another on the screen, and combine in the eye with great intensity. A film realized by Charles Lyman. (Original RT: 12 minutes) Description to come. (Original RT: 6 minutes) Filmed & realized by Charles Lyman. Edited by Peter Melaragno. A young girl stands at her bedroom window and peeks through the Venetian blinds at the world outside her island home. She dreams of her future bounded by the ocean and the rocky beaches of the island. This film is designed to be projected through and on a venetian blind and a screen with a dancer (see under performance). (Original RT: 16 minutes) A film realized by Charles Lyman.
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